Sunday, July 1, 2012

Dinner Parties – Downton Abbey Style

We see them sitting around their long circular table in that gorgeous dining room, watch as the footmen discreetly bring round course after course, then the ladies retire to the drawing room and the men have their brandy and cigars. But just what went on during these evenings, commonplace from the Regency era onward? Although the style of dining changed, going from a la francaise to a la russe, the progression of the evening remained almost unaltered.

I’ll focus on the way the evening would go in late Victorian/early Edwardian Britain (this is Downton Abbey after all)

We’ll start about three weeks ahead of the event, when the lady of the house, in this case Lady Grantham, would decide who will be in attendance. This could become an enormous ordeal, because not only did one have to make sure there was an equal number of gentlemen and ladies who were both single and married, there was also the matter of precedence, that is, making sure you didn’t invite someone who would make the rest of the guests uncomfortable. A duke and the village doctor, probably wouldn’t mix well, and the hostesses’ main job was making sure her guests were comfortable. The amount of guests at a dinner party could range anywhere from ten to forty, sometimes even more. Then the hostess would wait for a response of some sort, always sent by letter.
About a week, to a day or two before the event, the hostess would go over the menu with the cook or chef, deciding how many courses would be served. Among the Edwardian elite, up to twelve courses wouldn’t be uncommon and the hostess would often orchestrate the menu according to the guest of honor’s favorites. Bertie, the Prince of Wales at the time, would often polish off several dozen oysters, plus bread and butter, caviar, plovers’ eggs, ortolans (a type of songbird), sole poached in Chablis garnished with oysters and prawns, chicken and turkey in aspic, quails and pigeon pie, grouse, snipe, partridge, pheasant and woodcock. This doesn’t even go into the desert and sorbet courses. The hostess would also decide which plate and dinner services would be used and make sure the appropriate wines were served. Sometimes the host did this too.  

At last the evening arrived and at the designated time (usually around 7 to 9 P.M.), guests would begin to arrive and would be shown to the drawing room (at Downton) or in the case of Blenheim Palace, the Long Library. Everyone would stand or sit, admiring each other’s gowns and waiting for the late arrivals. Cocktails was a strictly American custom until after WWI and the shilly shallying didn’t last long, as everyone wanted to get to the main event - dinner.
While everyone was mingling, the hostess would make any necessary introductions before beginning the most nerve wracking part of her evening, precedence or “Who Will Sit With Whom”. This could become quite a task, as titles were so intermingled and intricate. If you had two dukes at your party who ranked higher? The one with the oldest title. But what about the elder son of a duke vs. an earl? Who then? You can easily see how a hostess, especially a young bride, could become easily muddled. Also, one had to make sure that they didn’t allow people who loathed each other to go into dinner together as they had to spend a large part of the evening in conversation with that person. If Lady Anne had been once engaged to Lord Percy, and they had broken the engagement, it would be a terrible social blunder for the hostess to have them go in together. Consuelo Vanderbilt, a young American who married an English duke, received many set-downs for committing such errors and often a guest would take her aside and express their displeasure about who they had been seated beside.   

The host always took the lady of the highest rank in to dinner and, the gentleman of the highest rank, took in the hostess. This rule was absolute, unless the highest ranking male and female were related to the host or hostess. Then it was the next ranking. Husbands and wives, fathers and daughters, and mothers and sons never went into dinner together. The hostess always tried to invite an equal number of men and women to the party, although if possible, it was always best to have more gentlemen, so married women were not obligated to go in to dinner with each others’ husbands only. In the case of there being more ladies than men, the highest ranking ladies would be taken into dinner by the gentlemen present, and the remaining ladies would go in by themselves.
Once in the dining room, the host remained standing, until everyone had been seated. The seating depended on precedence and the host and the hostess sat at opposite ends of the table, the host at the bottom of the table, the highest ranking lady at his right hand. The hostess at the top and the gentleman who took her, sat at her left. Then the lady second in rank, sat at the host’s left hand and the other female guests at the right of the gentleman who had brought them in to dinner. Sometimes, place-cards with the names of the guests were placed on the table, thus making things easier for everyone. Thank goodness! The hostess of course, would have had to instruct the butler to lay these out ahead of time, a copy of Burke’s or Debrett’s Peerage in hand. The menus were always written in French and were placed between each place setting, often shared by two persons.

The table could be decorated a number of different ways. Flowers, elaborate silver centerpieces or epergnes, and fruit arrangements could all be part of the display. Silver candlesticks were a must and, even when electric lighting became popular, it was still common to dine by candlelight. Then of course there were those elaborate place settings with a zillion different forks. Generally these were comprised of a soup spoon, fish knife and fork, two knives, two large forks, and goblets and wine flutes for the wine, along with the various dinner and dessert plates. All this was known as the “cover.”
Dinner etiquette was very rigorous and went beyond just using proper table manners. This was another reason why the hostess only invited those of her own social class. They were generally the only ones who knew what they were doing and wouldn’t make such blunders as eating off a knife or tucking a napkin into their shirt collar (although earlier in the century, the napkin tucking wasn’t as offensive as it became later on) When a lady sat down at the table she would always remove her gloves, placing them either in her lap or beside her plate.

Now for the eating. Generally, they began with hors d’oeuvres and went on to soup, fish, entree, meat, salad, savory, sorbet, dessert. What each of these courses consisted of is a whole different blog post.
While all this food was being consumed, everyone engaged in conversation with the person seated next to them, until halfway into the meal they would “turn.” This meant they would turn and talk to the person on the other side of them. To engage in conversation with someone other than those you had been seated beside, wasn’t really the “done thing” although occasionally it did happen. Polite meant no discussion of health, politics (even if the person beside you was a politician) or anything especially deep. It also meant no arguing at the table or no conversation that involved personal or family matters.

After dinner, which usually went on for an hour to an hour and a half, the hostess would nod to the lady of the highest rank present, thus signaling it was time for the ladies to retire to the drawing room. The gentlemen rose when the women did and the ladies exited in order of their rank, hostess following last. The chaps were then left to their port, claret, cigars and talk of subjects perhaps not always suitable for the delicate ears of a well-bred duchess. The ladies meanwhile were in the drawing room having coffee and gossiping about the latest on dits or perhaps playing the piano.
The gentlemen rejoined the ladies in half an hour to an hour, and usually cards or some sort of game was proposed. There was no set time for leave-taking and some dinner parties could last well into the night. Pity the poor servants who had to wait on them. Although Carson wouldn’t dream of yawning!

After the last guest was seen into their carriage, the host and hostess were free to congratulate each other on how well the evening went (assuming it did) and then collapse. For tomorrow night, there would be yet another party to attend and the whole process would repeat all over again. Whew!

-Amanda

P.S. I am taking a two week hiatus from blogging (one of the reasons why the post was so long), due to moving to a new house. I plan to be back around July 15, with more writing and Victorian era themed posts! So stayed tuned.

Winner of Chameleon

Congratulations to karenk, the winner of Jillian Kent’s novel Chameleon. She has been notified and will receive her novel shortly.

Thank you so much to all who entered!!!
Happy Writing,

Amanda

Sunday, June 24, 2012

The Last Word – Part One

Recently, I’ve been doing edits for one of my critique partners who sends me the chapters as she writes them. I was reading along merrily getting wrapped up in the story. Then I got to the end of chapter six.
It ended with a bang. Now I was desperate to find out what was going to happen.

Unfortunately, my critique partner hadn’t written it yet so I had to wait until she did, to find out the outcome of the scenario. She didn’t disappoint.
The incident got me thinking about chapter endings and how to end each one of them with that final burst of energy. That last paragraph or line that makes readers lower the book with a momentary sigh, or hastily turn to the next page.

I thought I’d share with you some of my favorite chapter endings from some authors I love and see if we can discover what techniques they use that demonstrate this really well. 
Be aware that some of these endings might contain some spoilers as to plot points, etc.

TECHNIQUES FOR GREAT ENDINGS:

1 – Suspense – Mary Lu Tyndall is one of the best I’ve ever read at using this type of bang. The first time I read her “Legacy of the King’s Pirate” series, I could not stop turning pages. Just one more chapter. Just one more chapter. Which is exactly the response you want from readers.

Here’s an example from her novel The Falcon and the Sparrow.
Scraping sounded in the hall. A hollow boot thundered like an approaching storm. Blood iced in Dominique’s veins. The click of the door latch echoed through the room, and in walked Admiral Randal.

Here’s another great end from The Frontiersman’s Daughter by Laura Frantz.
At last they were gone, slipping away into the wall of woods. Invisible, but ever present. Silent. Perhaps deadly.

If that’s not suspenseful I don’t know what is. Chilling, and at the same time, almost poetic.
2 – Foreshadowing This is one of my favorite techniques. Adding a hint of a “something’s not quite right here” is a perfect way to hook a reader, especially at the beginning of a novel. Here’s an example from Julie Lessman’s A Passion Denied.

Brady strode into Eileen and Pete’s apartment and drew in a deep breath for the task ahead. An angel instead of a man. His lips quirked into a sour smile. That would certainly be nice. Especially at a moment like this. His jaw tightened. As if he could qualify. Angels didn’t have his past.

She leaves us hanging, wondering just what Brady’s past is, and why it haunts him so. What a cliffhanger!
3 – Humor A fun device and one that will keep readers turning pages every time. Mary Connealy shines here and always manages to end many of her chapters with a fun LOL line. Here’s an example from Out of Control.

Julia Gilliland was a half-wit, and no amount of Christian charity would change that one speck.
Another example from Melanie Dickerson’s The Healer’s Apprentice.

If, as an apprentice, Rose could impress Frau Geruscha with her skill, she would become the next healer—needed, respected. She could avoid the indignity of marrying someone out of desperation. So she’d never experience love. Most married people didn’t, either.

Sarcastic humor, mixed with what was, in the era, truth.
4 - Internal Monologue – Ending a chapter with a characters thoughts is one of the best and most popular techniques. One of my favorite examples comes from Julie Klassen’s The Silent Governess.

Slowly I became aware of their hooded looks, their unconscious shrinking back from us. Now they would believe the traveler’s accusation that my ability had been a trick all along. All their applause and ale and wagers accepted dishonestly. In his eyes—in theirs—they had all been made fools by us. By me. By my silence.

These are just a few examples of ways to hook your readers with chapter endings. Next week I will continue this with even more techniques and examples that will keep your readers turning pages. So stayed tuned!!

Happy Writing,

Amanda

Now it’s your turn. Share one scene or chapter ending from either your own novel or one you’ve read recently and we’ll chat up and comment about chapter endings. What worked for you and what didn’t?


***GIVEWAY – I’m giving away a copy of Chameleon, by Jillian Kent. A stellar Regency romantic mystery with a lot of great chapter endings too. Leave a comment to be entered into the drawing and I’ll announce the winner in next week’s blog post. Don’t forget to leave your email!


Wednesday, June 13, 2012

The Difference Between His Grace and M’lord - The Peerage


Almost every historical romance set in England features at least one member of nobility. This is someone who has a title in front of their name and usually a mansion in Yorkshire (or some other shire) and, of course, several dozen servants. These titled nobility are every London debutantes ideal for a prospective marriage partner.


But what exactly are dukes, earls, marquesses, viscounts, barons, and baronets? And if your heroine is planning a dinner party, who sits next to whom?

To find out let’s don our Regency gowns and bonnets and step into a London ballroom. See the candelabras and hear the orchestra playing a lively reel? Allow me, the Duchess of Stratfordshire (a girl can dream, can’t she?) to introduce you to several of our distinguished guests.
First on the list, my husband, the Duke of Stratfordshire, the highest ranking gentleman in the room. I did quite well for myself didn’t I, seeing as there are only twenty seven dukes in existence at any given time? As you’ve probably guessed, the duke’s wife is called a duchess. Both are formally referred to as “Your Grace.” Our eldest son uses one of His Grace’s subsidiary titles, in this instance, the Viscount of Manchestershire and if he were to have an eldest son, he would be given a different subsidiary title. Alas, our other children only have “Lord” or “Lady” in front of their names, such as Lady Adriana.

Shall we move on? There are still introductions to be made. Say ‘how do you do’ to the Marquess of Flintshire. Unfortunately, he is a great leap down the peerage from the duke, but still quite eligible and worth a sizable fortune. He is formally addressed as Lord Flintshire and when he weds, his wife will become a marchioness, known as Lady Flintshire. Their children’s titles will be the same as a duke’s children.

Ah, there is the Earl of Cummings. Earls are the bread and butter of the peerage, numbering in the hundreds. The earl’s wife is called a countess and addressed as Lady Cummings. Their elder son uses a subsidiary title and their younger sons are addressed as merely “Honorable” Their daughters are addressed as “Lady” before their given names, for example the charming Lady Annabelle who just waved to me from across the room.
Let’s continue on and meet the Viscount of Summershire. A relatively new title, sometimes awarded for success in politics. The viscount’s wife is a viscountess and addressed as “Lady Summershire.” Their eldest son uses a subsidiary title and the rest of their children are merely “Honorables.”

Last, but not least, is the Baron of Huntington. Although he is the lowest ranking peer, he is still quite charming I can assure you. He’s always referred to and addressed as “Lord” and his wife is a baroness. All children are simply “Honorables.” There are no subsidiary titles, since no lower rank exists.
You really want to meet a mere “sir”? Very well, here is Sir Anthony Lansdowne. He is only a baronet, a hereditary title. He is addressed as Sir Anthony, never Sir Lansdowne. His wife is Lady Lansdowne and their children have no titles. See young Mr. Lansdowne partnering Lady Annabelle. They make a charming couple, do they not?

There you have it. That’s the aristocracy for you. Dukes, earls, marquesses, viscounts, barons, and baronets. I hope you’ve enjoyed our ball.

And now, I fear I must away. I have to make sure our butler has everything under control for the dinner later this evening. Au revoir!

-Amanda (aka Duchess of Stratfordshire, or you can call me "Your Grace")
Here I am with Lady Annabelle, who although terrible shy, agreed to pose for this photo. Isn't my gown lovely?

Sunday, June 3, 2012

Blog Shake Up!

I’ve decided to balance out my blog posts and make some of them less focused on writing and more on history, since I write historical romance. I believe this new focus will be of interest to those who, in the future, may read my novels and want more information about the eras I write in. I’m planning on featuring two posts about the writing craft and two posts on history every month. So it will be a different selection every other week. Some topics in store are:





Edwardian Era Recipes

An Evening at Downton Abbey

Upstairs and Down – The Role of Servants

The Difference Between His Grace and M’Lord –The Peerage

The Delights of the Season


These are only a few of the fun posts I have in store, as I venture into a new chapter in my blogging. If any of you have topics you would like to see me cover or that you are interested in from the Regency and Victorian eras, just let me know. I look forward to this new experiment and hope you all enjoy the change!


Next week, we’ll feature our first history related post.

Until then!
Happy Writing,

Amanda



P.S. Isn’t that picture gorgeous? I love the flounces on the her blouse. Oh, to be able to dress like that everyday! J

Thursday, May 31, 2012

What Sparks Your Creativity?

There are many things that can switch on a writer’s creativity bulb and they are as varied and unique as a writers’ personality. My creativity is often switched on more often than I would like. J I can watch the most inane movie that I don’t even enjoy and always be sparked with some idea or “oh I could write a story about that.” I’m that weird.



So what sparks your creativity? Here’s my list (in no particular order.)

1 – Classical music.

2 – A sermon or devotion. (Yes, I’ve filled my sermon notebook with ideas before J)

3 – A sigh worthy love story movie.

4 – BBC dramas.

5 – Strange people I see in Walmart.

6 – Reading biographies about historical figures.

7 – Walking through the countryside. (Would be even more inspiring if I lived in Yorkshire. LOL.)

8 – Current events. (One of my novels was inspired by a character in a classic novel and a current headline.

9 – Jane Austen.

10 - Doing dishes and laundry.

11 – Art museums.

12 – Pictures of my characters.

13 – Stately palaces in England.





Your Turn – What sparks your creativity? Where did the inspiration come for the last scene you wrote, come from?

 Happy Writing,
Amanda

Wednesday, May 23, 2012

Edits: A love and hate relationship


This week I’m working on editing a novel I thought was finished. Thought.
I was wrong. After talking with crit partners about several problem areas, I’ve come to the conclusion that I need to cut at least 20,000 words and do a pretty extensive rewrite.

So much for being finished.

I’ve spent the past couple of days re-writing an entirely new plot and chapter outline and am now ready to dive into edits. Admittedly, I’m nervous about cutting 20,000 words that I thought only weeks, were pretty good. I know that the final product will be much improved. With that in mind, I’m diving ahead knowing that I’ve done it before and can do it again.
When editing keep in mind the following:

1 – The delete button is not your enemy – It may seem this way, but in reality it’s not. Hacking away mercilessly at once treasured words and phrases, but after a second look are really cliché or overused. Cutting scenes that seemed great when first written, but are now drivel. This is the tool that makes for great writing. Think of it as tightening up your script, as they do in film. For things I just can’t bear to cut I put them in a separate document to possibly be used later. For this huge edit, I’ve saved an original copy of the full novel before editing, so it’s all there if I ever need it.
2 – Talk over major plot changes – While I was mulling over the changes that needed to be made, I chatted with one of my crit partners and explained what I thought was lacking. Together we brainstormed and came up with an amazing idea, which will make the novel much better. When I bounce ideas off someone else, I’m always able to come up with something better. My crit partners are amazing!

3 – Print off a hard copy – Often, when I read my novel as a hard copy, I gain a whole new perspective on the work. Seeing the work on paper, instead of on a computer screen, helps pinpoint areas I might have missed and I can jot down ideas in the margin as I go.
Edits are not always fun. In fact, cutting and rewriting can be downright painful. Yet the final product is always worth the effort and without a well-edited manuscript, it’s unlikely the novel will attract agent and editor interest.

Wish me luck this week as I delve into edits and remake my novel into what I hope will be something better than it was originally.
Happy Writing and Editing,
Amanda


Your Turn – Do you enjoy edits? Any tips you can share that makes the process easier? I look forward to your comments!